Amateur theatre should be celebrated, not derided
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Am-dram is often used as a term of abuse, yet the boundary between the
professional and amateur is increasingly blurred
I recently picked up a theatre br...
Herrin-gate
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Partisan-ship is a horrid thing, right? And totally undesirable in a
critic? I dunno.
Walter Benjamin has this to say:
“I. the critic is the strategist...
PREVIEW: 2013 River To River Festival
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*The 2013 RIVER TO RIVER FESTIVAL runs June 15th - July 14th. Here are
some of our picks of things to check out. All events are free;
reservations are ac...
River Snow
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I gave my eight grade class this Tang century poem by Liu Zongyuan (read
top to bottom, right to left):
I suggested that when translating Chinese poetry i...
WLTM: producer of extraordinary events!
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*Hoipolloi are recruiting! We're looking to meet an exciting person who
will gather Hugh Hughes' newest show to their busom, shape it into a
fantastic tour...
RIDICULOUS DISCOUNTS on SHIPWRECKED!: TONIGHT ONLY!
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RIDICULOUS DISCOUNT NIGHT AT NC STAGE: TONIGHT! (Wednesday 4/10/13)
Post on our Facebook page, call us, or come in person to NC Stage tonight
for our Imm...
audition class this April
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HATE TO AUDITION?
TURN IT INTO AN EFFECTIVE AND CREATIVE EXPERIENCE
OBIE award winning and internationally acclaimed director John Clancy shows
you how.
S...
Fans, Artists, Love, and Exchange
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Punk has always challenged traditional models of artist-audience
interaction, from DIY culture to the contradictions of the record industry
selling rebelli...
Takin' Over the Asylum, theatre review
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Published in the Guardian
Citizens, Glasgow/Royal Lyceum, Edinburgh co-production
Three stars
*WE'RE in One Flew Over the Cuckoo's Nest territory – but in...
Things Have Changed
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I've been contemplating shutting down *ghost light*. Nothing new in that.
I've considered shutting it down almost every year (and sometimes every
month) si...
Archive
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Theatre Notes will remain here as an archive. The blog is fully searchable using the search box to the right, and there are browsable lists of all reviews si...
No first night for Twelfth Night?
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The press night diary is already so full already that we hardly search out
shows that we are not actually invited to see. It barely entered my radar
that t...
Review: OXYGEN by Cate Cammarata
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*Oxygen *is a devised performance piece that explores movements originated
from breathing. Against a background of multiple sheets of white painted
plastic...
The Bank is now closed
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Thank you for your custom.
The sidebar to the right will be updated with information regarding
performances, publications and other escapades.
To join...
Elsewhere
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HERE is my interview of sorts with the playwright Will Eno. He makes many
very worth-pondering comments therein and proves himself the sort of
vertical fel...
Hello...?
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Been getting a few inquiries as to whether APAR is still operational. Good
question. Ever since the MX theatre blog went live, they seemed to take
such the...
Goodbye and Thanks
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Old habits die hard. Without setting an alarm, I was up at 5:20 this
morning, ready to do the news. As you probably know though (see this post),
yesterda...
Praxis Blog and Website pre-relaunch blackout
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Photo by stuartpilbrow licensed under Creative Commons 2.0
The integration of the Praxis blog and website will likely cause some
problems over the weekend....
Intimate and Public Performances
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Lyn Gardner continues to be instinctively right, it seems to me, in her
latest guardian blog about small-scale shows, even if I’m not sure she
commits full...
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